Related Paintings of unknow artist :. | People ride horses | Orpheus and Eurydice | Reading new | Arab or Arabic people and life. Orientalism oil paintings 119 | Biednemu wiatr w oczy |
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Marsden Hartley
1877-1943 Marsden Hartley (January 4, 1877 - September 2, 1943) was an American Modernist painter and poet in the early 20th century. Hartley was born in Lewiston, Maine, USA. He began his art training at the Cleveland Institute of Art after moving to Cleveland, Ohio in 1892. At the age of 22, he moved to New York City, where he attended the National Academy of Design and studied painting at the Art Students League of New York under William Merritt Chase. A great admirer of Albert Pinkham Ryder, Hartley would visit Ryder's studio in Greenwich Village as often as possible. While in New York, he came to the attention of Alfred Stieglitz and became associated with Stieglitz' 291 Gallery Group. Hartley had his first major exhibition at the 291 Gallery in 1909 and another in 1912. He was in the cultural vanguard, in the same milieu as Gertrude Stein, Hart Crane, Charles Demuth, Georgia O'Keeffe, Fernand Leger, Ezra Pound, among many others. Hartley, who was gay, painted Portrait of a German Officer (1914), which was an ode to Karl von Freyburg, a Prussian lieutenant of whom he became enamored before von Freyburg's death in World War I.
Ludger tom Ring the Younger
(1522-1584) was a German painter and draughtsman. Ring was born in Menster. His father and brothers were also painters. Ring primarily painted portraits and still lifes. He died in Braunschweig in 1584.
Gustave Loiseau
French, 1865-1935 French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work.